Let's start with the biggest elephant in the room : a flood of digital images.
We live in an age of post-truth materiality, in a culture saturated with images.
Humour has always been a big part of art making.
Humour has always been a big part of art making.
Storytelling pictures can be considered a vignette like a jigsaw puzzle with large pieces. It seems like a superorganism that covers the entire art world that takes a big breath every couple of years.
Enveloping viewers in multisensory experiences that blend the physical and digital realms, and yet originality remains possible.
Don't ask for a reason or justification people that grew up with a more square, or inside of the box, view of what is normal. None preaches better than the birds as symbols in paintings.
Drawing from life is always better than photographs.
15. Futurisms — It has become a buzzword that has somewhat lost its meaning. Futurism this, futurism that — the present may suck, but that doesn’t mean we have to cede it to the future. Some mindfulness might be in order so that we’re rooted in where and when we are now.
Theory is key. Proactive artworks never allows things to happen to them. Finally, sometimes, it's just bad luck.
The position of the artist is humble. He is best as a channel than a form of autism or obsessive behaviour resulting as something easy to draw that looks cool. Artists should know the past of their form without being paralysed by ideas already had.
"In modernity every squadoosh art knows its own inadequacy" (Søren Kierkegaard)
Few artists have redefined the language of abstraction as profoundly as the internet. Sketching a portrait of a world in constant transformation, pictures know the world hadn’t ended.
Many art collectors buy prints because they are more accessible than unique works. It could be budget of course, but many collectors like to rotate the art in their homes without a huge investment. Prints are far beyond being simply copies of a painting; collectors appreciate that they are their own art form. The body is where etching begins, and where it ends.
Keep distance and nearness simple. All motion is relative to an inertial frame of reference. Invisible artists are steering clear of the hustle and bustle of the art world.
There is something ghostly in all great art. It’s all about tapping into people’s emotions, sharing real-life experiences and offering genuine perspectives.
Lafcadio Hearno