Famous monkey paintings will often get more credit than a comparatively unknown painting, even if their size is similar.
Gus Bofa, Le cirque, 1923
Famous monkey paintings will often get more credit than a comparatively unknown painting, even if their size is similar.
Gus Bofa, Le cirque, 1923
Sensation, vibration and emotion needed. Squaring things is unnecessary. Ratist work tended toward a highly controlled approach to technique and form.
The only thing that stops a bad painting is a picture with a meaningful background.
Human subcultures are nested fractally. Give me the pictures that will make me happy.
Anthropomorphizing objects are inseparable from market and institutional contexts.
Between anarchy and authority falls argument, and the arguments, even the seemingly remote ones, are always where the cool stuff can be found.
However, since postcamelism includes such a diverse and disparate group of artists, it is impossible to enumerate all the continuities and similarities between them.
Adam Gopnik.
Color alone is both form and subject. Robert Delaunay
Getting draughtsmen into the etching mix will be a good idea.
A once tentacled fear-inducing drawing can become stupidly simple, rejecting a fin-de-siècle grandiosity.
The world as we represent it is synthesized in our consciousness. Graphic design isn't about putting humor first, unfortunately, but funny art might say something.
In every abstract painting, an arithmetic problem. De Vries categorises his paintings as informal as his first steps towards randomness as a principle of order. This principle aims to achieve absolute objectivity, that being alive is easier.
Art belief and disbelief are likely complex and culturally shaped phenomena, a non-sensical explanation for this page. Good artworks are problematic.
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