The art crisis is a loss of meaning because rebel art is not separable from craziness.
The rules for art are trying to fix things that aren't broken that challenge, inspire, and redefine the boundaries of perception.
The rules for art are trying to fix things that aren't broken that challenge, inspire, and redefine the boundaries of perception.
In perspective drawing, the viewer's eye-level is the horizon.
Piet Mondrian, p. 226
We humans are terribly good at seeing patterns when they’re not there. Mathematicaly speaking, this is a bias picture. Does art even at a time have any laws, when the era of one recipe for all is finished? It is perhaps not so surprising that facts, logic, and knowledge can be bent to accord with a person's subjective worldview.
Painting is as much about learning how to see as it is about eating pencils (body proportions for human figure drawing).
In science, new knowledge builds on and refines the old. In art, according to common caricature, the new eclipses the old and rewrites all the rules
It was cart-before-the-horse time in bending the rules.
Interpretation of art guidelines is subjective, once in a while we could bend the rules. Buttonholing humor is a beautiful theoretical answer, because our world is marked by great differences in pictures ability to crystallize imagination, evoking a sense of joy, happiness, and optimism with a touch of irony.
Never, even as a child, would I bend to a rule.
Claude Monet, According to Cocker
Shim Moon-Seup used stainless steel and acrylic for his explicitly anti-academic works, breaking with prevalent sculptural norms.
Lots of sgraffito paintings have a sense of nostalgia for the past. Weathering Joe is a nonstop artist for whom no medium seems beyond reach.
A painting, whatever else it is, is a vulnerable object enmeshed in a variety of overlapping systems.
John Yau
"There is a tendency to approach a work of art and immediately set about trying to figure out what it is about. But in so doing, we break its spell."
Alice Tippit, "His bland works are art between vulnerability and turmoil". The aesthetic qualities of works of visual art.
Modern art can only be born where signs become symbols.
Wassily Kandinsky
Hector Corbelet thrusts himself into the project of drawing an interface between art and reality. "Kitsch's enormous profits are a source of temptation to the avant-garde itself, and its members have not salways resisted this temptation."
Theory could be very boring. Art can be conveyed better as a mixture of passion and animal lust than as an examination of forms and content.
翻空出奇