perfectly imperfect

Paint whatever the fuck you want.

Even if you are not making controversial medusa stone gaze drawings, you find new crazy challenges and new cool directions you can to go in. Every eccentric picture displayed in an alternative art museum aims to be an image.

Interesting pictures are everywhere but rarely in Art Museum. That is the way it works. Good art speaks a foreign tongue that it makes you long to understand, however untranslatable its serpentine turns of phrase and idiosyncratic idioms may seem. Naturalism picturing subjects as they appear in every day life, is one of the after-death lives of realism.

Contemporary art basilisk looks more as a significant form rather than its mere outward appearance, but it's also more hidden. We live in a world populated by real pictures of Santa and odd theory of odd numbers: It's not a one in a hundred chance, it's more like one in ten thousand.

basilisk is real
filippo marinetti futurist futurism

There are very few basilisks who believe that less is more.

All my work is a single thing, the description from one to infinity (Roman Opalka). Serious artworks do make one think and are not nearly as silly as they may look at a first glance. Humorous art is predicted to be weirder still.

Zany images may form the oddest of all quirky structures.

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stick figure hiding seeking

Superficiality is not artificiality: contemporary art business has the quirky character that it is a game without a winner, just plenty of losers.

The art object does embody a form of knowledge. Art blurbs feel necessary, but their purpose is unclear. How it might work in an artsy setting? Basilisk hybrid race of beings are frightfully dissonant, as low as biophysically possible.

蛇怪