Boundary of art
Pictures go where humans go.
Big colorful paintings, any one of which would be joyful to own. Forget about what other pictures are doing.
Too much irony deprives the lackadaisical viewer of the accumulated product of a great deal of beautiful and subtle thinking.
Humor just knocked hypermodern art out of the park whose surface reflects the fading boundary between craft and pictorial art.
Pictures like the Internet: It's colorful, inexpensive, and always open. Understanding oomph between the lines: although this is usually assumed in the literature, the interval need not be closed or bounded. Nobody knows anything, theory is often different from practice.
Art at the edge of the unknown with a sense of wonder and whimsy. Ugliness lies in that gap between what pictures have now and what images think they need boundary crossing skills. Boredom is never a part of the creative process. Everlasting art, brought to us by boredom.
If no one is looking, can anyone be watching? Truth is stranger than fiction.
Museums needed to be “safe places for unsafe ideas.
Arnold Lehman
Boundaries of art are understanding what is being drawn. Although clear lines between pictures and images may be difficult to establish with any certainty, the abstract art life depends upon these very lines. I make pranks because I enjoy painting blurring the boundaries between art and art.
Slow as original drawing in conceptual art. In the contemporary art world, beneath the roar of traffic, beneath the rapid pace of change, so many pictures pass by unnoticed because they have no 'right' to be there, no right to be part of the museum.
Boundaries of art are crooked.
Thinking through art stresses the importance of choosing goals that matter, vigorously painted with patterns and flowers that suggest jungles. Pot calling the kettle maybe.
Learning how to set boundaries is an essential skill for a well-rounded art complexity. There is a thin border line between artist life and insanity.
Art without boundaries is at the edge of the unknown, keeping the past alive. Images are not the problem here. The fact that images can now live here is the problem. End of discussion.
There is no progress in art.
Ilia Ehrenburg